This work is a large scale immersive sound sculpture which consists of over 300 speakers and LEDs aligned as grid.
The prototype version of this work was created and exhibited in AOMORI Triennale 2017, Memorial Ship Hakkoda-maru, Aomori, Japan.
Each pair of speaker and led is connected to DIY pulse generator which is controlled by computer and sound/blink in individual pattern.
The speakers and led is connected to same signal. when a speaker sounds, a led blinks in same time. It is completely synchronized sound and visuals as phenomenon.
the pulse is very simple sound/electronic element which does not has parameters such as volume and pitch, but it has only density. this work makes new form of music/acoustics by the control of its density and spatialized representation.
Textile, Collaboration with company HOSOO, 2015- (in developing)
This is an research and development project between Ken FURUDATE and company HOSOO which is Kyoto-based textile company founded in 1688 and specialised in superior quality fabrics for high-end interior design and fashion.
In this project, Ken FURUDATE has made the software to make weaving pattern by generative algorithms for Jacquard Loom. He reconstructed from the smallest unit of fabric by computer program and made complex construction which is difficult to with human handicraft.
The first prototype - #1 Moiré, #2 Radial and #3 Flows had been exhibited in “Fabrics as Demiurges — The meaning of fabrics for mankind” at Yamaguchi Center for Arts and Media[YCAM], Yamaguchi, Japan in 2017.
Video Installation, 2013-
In this work, it is projected the video shot at the high frame rate of the surface of the river without any effect or processing. The patterns on the surface of the river are produced by parameters such as flow speed, bottom condition and so on.
It is essentially the same as the generative patterns which is produced by computer programming for him.
exhibited at Ogaki Biennale 2013, Gifu, Japan, 2013.
Sine waves solo
Audio Visual Live Performances, 2003-
Heavy drone musical performance with only sine waves.
it makes musical development by interference of multiple sine waves.
It is played with visual using circles or blinks of the screen corresponds to frequency of sound.
Audio Visual Live Performances, 2015-
The SINE WAVE ORCHESTRA
Sound Art Project, 2002-
The SINE WAVE ORCHESTRA (SWO) is a project that works exclusively with sine waves that was launched in 2002 by Ken Furudate, Kazuhiro Jo, Daisuke Ishida and Mizuki Noguchi. ”The single sine waves, which the participants each play freely without a score or conductor, rise and intricately interfere with each other like thin strings, and ultimately create an ocean of sine waves.” Based on this image, the SWO presents works between and within performances, installations and workshops and invites the public to create a collective sound representation. http://swo.jp/
Audio Visual Installation, 2017-
Indistinct images are projected onto a large screen, accompanied by inarticulate sounds reverberating across the entire exhibition space. All of these images and sounds are created by disassembling and recomposing algorithmically in realtime from vast amount of video materials that are picked up from the internet continuously over the period of the exhibition. The fragmented videos that provide the visual and acoustic source material are recomposed/reordered based on their respective data of luminance and sound (magnitude/level) to create a sine wave, which means that the original videos are deprived of their meaning, and reduced to abstract elements of light and sound for the construction of a sine wave. While all sounds in the world can be represented through combinations of multiple sine waves, in this work a single sine wave is produced by cutting and connecting large amounts of source material.
The SINE WAVE ORCHESTRA stay
Sound Installation, 2017-
Each visitor is given a small device which can play a sine wave, chooses its frequency, and positions it at a location on one of the 49 spiral-shaped columns of copper wire that are arranged in a grid in the exhibition space. These sine waves remain audible for the rest of the exhibition period, which means that the sound field - starting with absolute silence at the beginning of the exhibition - gets increasingly complex with every single visitor’s contribution towards the end of the exhibition. It is thus a collective performance, creating a work that continues to change while revealing different sonic qualities depending on the listening point, and number and position of device being installed.
The SINE WAVE ORCHESTRA performances
Shiro TAKATANI Theater works
ST/LL, CHROMA and La Chambre Claire : Theater works directed by Shiro TAKATANI, 2008-